By Bryan Peterson–
You can do one of the best exercises I know near your home whether you live in the country or the city, in a house or an apartment. Select any subject, for example, the houses and trees that line your street or the nearby city skyline.
If you live in the country, in the mountains, or at the beach, choose a large and expansive composition. Over the course of the next twelve months, document the changing seasons and the continuously shifting angles of the light throughout the year. Take several pictures a week, shooting to the south, north, east, and west and in early-morning, midday, and late-afternoon light.
Since this is an exercise, don’t concern yourself with making a compelling composition. At the end of the twelve months, with your efforts spread out before you, you’ll have amassed knowledge and insight about light that few professional photographers—and even fewer amateurs—possess.
Photographers who use and exploit light are not gifted! They have simply learned about light and have thereby become motivated to put themselves in a position to receive the gifts that the “right” light has to offer.
Another good exercise is to explore the changing light on your next vacation. On just one day, rise before dawn and photograph some subjects for one hour after sunrise. Then head out for an afternoon of shooting, beginning several hours before and lasting twenty minutes after sunset.
Notice how low-angled frontlight provides even illumination, how sidelight creates a three-dimensional effect, and how strong backlight produces silhouettes. After a day or two of this, you will be well on your way to becoming a lighting expert!
Returning to my rooftop repeatedly, I am able to make a study of light at all different times of day. You can do this, too, whether you shoot in your front yard or backyard.
This is not about an effective or compelling composition but is a valuable lesson about light; it is not necessary to go anywhere.
After you do this over the course of one day, don’t be surprised if you start paying more attention to the light and eventually even the seasons.
From backlight to frontlight to dusk light, as you look at these images, your reaction to each is different.
The light (or absence of light) creates a unique “personality” for each of these exposures.
This is an example of what I said earlier: Each of the photographs shows a cake, but the light is the frosting.
Bryan Peterson is a world-renowned photographer, teacher and writer whose books are among the best ever written about photography.This excerpt from the Fourth Edition of Understanding Exposure, © 2016, has been reprinted by permission of the publisher, Amphoto Books, a division of Penguin Random House, Inc. The book is currently available from Amazon and other booksellers.
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