Stuck at the extreme western point of the state of Texas, El Paso is too often forgotten as a photo destination. Yet it offers an amazing nexus of Hisopanic culture, Old West history, varied architecture, and mdern convenience....read more
When you’re photographing land and sky (and tight-rope walkers against a full moon!), patience is required. So is high-quality paper and printing advice....read more
From penguins in Antarctica to barns in the Palouse, Kevin Raber has a unique view of the world. See how we help this Indianapolis photographer display and sell his work....read more
You may think think your monitor is accurately displaying the exact colors that are in your image file, but it may not, leading to prints with disturbing color casts. Here's how to fix that problem....read more
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Printing postcards at home is a delightful way to share memories, create personalized invitations, or even design promotional materials for your small business....read more
Marching bands and Mardi Gras krewes are a unique portrait niche that require a distinct solution for prints. See how we helped Louisiana-based photographer Danny Izzo showcase these large groups beautifully....read more
Many photographers seek photo paper with a certain weight and thickness, a smooth finish, and archival quality. Fiber-based photo paper fits the bill....read more
When you run a business that supports creative people, you’re guaranteed to be awestruck most days. Learn about the inspiraton behind our Success on Paper Series....read more
Here's a comprehensive guide to the various types of printers available in the market....read more
WHAT CUSTOMERS SAY ABOUT US
Ultra Pro Satin is a Winner
Just tried Red River's Ultra Pro Satin after years of using Epson Luster Pro. The results were outstanding. The color balance was right on using the Epson Luster profile on my Epson 3880 printer. I entered 2 prints into my camera club's competition printed on this paper. One scored the highest, a perfect score. People came up to me asking what paper it was printed on. This will become my new standard paper. I taught traditional color printing in the color darkroom at my university for 20 years before going digital.