Ghana: An African Portrait Revisited
By Peter E. Randall— Photographing and producing a book on Ghana was not on my mind when I first visited the West African country in 1984 as a United Nations consultant. I was hired to document an improved method of smoking fish, a vital task in a country with little access to refrigeration to preserve the catch. In 1958, Ghana was the first sub-saharan country to become independent. In 1963, President Kwame Nkrumah invited master...
Sloooooow Down For More Creative Images
By Albert Chi— Most photographers dread shooting when poor light levels require slow shutter speeds for proper exposure. Chances are pictures will end up blurred due to camera shake, subject motion, or both. And to compensate, you can only up the ISO so much before running into noise and artifacts. Here are some ways to make slow shutter speeds work for you. In fact, even when you have enough light to use faster speeds, shooting with...
Pros Tell How To “Get The Photos Others Can’t ->”
By Michael Freeman— When you know in advance that a situation forbids photography, you first need to have a very good reason to flout authority, and then you need to plan how to shoot surreptitiously. This is the serious end of investigative photojournalism, and while you’re not likely to be facing the same challenges as Hazel Thompson, there are plenty of valuable lessons to be learned from her remarkable shoot of kids locked up in...
White Pocket: Millions-of-years-old Fantasy World
By Will Keener and Ron Wolfe— White Pocket is photographer’s dreamland; a remote, other-worldly experience in the Vermillion Cliffs National Monument in Arizona that looks like chef whipped up a colorful concoction from chunks of multi-colored fudge. Writers tend to wax poetic in describing White Pocket, seeing visions of gum drops, ice cream cones, dragon’s eyes, and other objects in this altered version of what was once an ancient...
Photojournalist With Soul: Carl Juste
by Arthur H. Bleich— Red River Ppaper Pro Carl Juste has a personal intensity that permeates every photograph he makes. His images speak in a way words cannot, making an immediate connection with the viewer. He is a master visual communicator. Juste, 56, was just two years old when his family was forced to flee Haiti to escape political persecution. They settled in Brooklyn, NY, and spent ten years there until they moved to...
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